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Mary Corse

24corse-yablonsky-tmagArticle  021812-15  corse2    02

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The illusion derives from tiny glass beads that Mary Corse, now 66, mixes into her paint before brushing it on the canvas. The same microspheres, as she calls them, are what make the white lines on a two-lane blacktop reflective in the dark. “But my paintings are not reflective!” Corse was quick to say during a recent visit to New York from her home in the Malibu hills of Los Angeles. “They create a prism that brings the surface into view. I like that because it brings the viewer into the light as well.  The idea, she said, is to get inside the paintings — “to create a space that actually isn’t there.”

Throughout her career, the nature of perception has been Corse’s subject, but it only underscores her basic premise. “There’s nothing static in reality,” she said. “So I didn’t want my paintings to be static either. But we live in an abstract universe and it’s pure abstraction I’m after.”

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