Archive for ‘Illustrator’

May 24, 2013

Harvey Lynch Art

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As you study the image before you, it might initially seem like a beautiful textile design, but then familiar elements of typography and language float to the forefront of your awareness and you realize it’s something much more.

Each piece is a Buddist saying, a song lyric or an inspirational thought which has been written in reverse. Through this process, we deconstruct words and letters, and create pieces which embody the virtues of the phrases they represent. Thus, the viewer absorbs the meaning as opposed to just reading it.

All of the art, prints and photographs and other collectables in our curated collection are carefully produced: Every work comes signed and with a numbered certificate that ensures the one you own is part of an exclusive edition created with Harvey Lynch. Once they’re sold out, they’re gone for good-so if you see something you like, snap it up!!!

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May 7, 2013

John Baldessari

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Interview with John Baldessari
by Nicole Davis

Nicole Davis interviewed John Baldessari in his studio in Santa Monica, Ca., on Apr. 12, 2004.

John Baldessari: So, fire away.

Nicole Davis: What led you to become an artist?

JB: I always had this idea that doing art was just a masturbatory activity, and didn’t really help anybody. I was teaching kids in the California Youth Authority, an honor camp where they send kids instead of sending them to prison. One kid came to me one day and asked if I would open up the arts and crafts building at night so they could work. I said, “If all of you guys will cool it in the classes, then I’ll baby-sit you.” Worked like a charm. Here were these kids that had no values I could embrace, that cared about art more than I. So, I said, “Well, I guess art has some function in society,” and I haven’t gotten beyond that yet, but it was enough to convince me that art did some good somehow. I just needed a reason that wasn’t all about myself. Read more

John Baldessari is an American conceptual artist. After studying art at San Diego State College (1949–57), he began to develop his painting style, soon incorporating letters, words and photographs in his works. By 1966 he was using photographs and text, or simply text, on canvas as in Semi-close-up of Girl by Geranium … (1966–8; Basle, Kstmus.). From 1970 he worked in printmaking, film, video, installation, sculpture and photography. His work is characterized by a consciousness of language evident in his use of puns, semantics based on the structuralism of Claude Lévi-Strauss and by the incorporation of material drawn from popular culture. Both are apparent in Blasted Allegories (1978; New York, Sonnabend Gal.), a series combining polaroids of television images captioned and arranged to suggest an unusual syntax. Baldessari differed from other conceptual artists in his humour and commitment to the visual image. He dramatized the ordinary, although beneath the apparent simplicity of his words and images lie multiple connotations. We LOVE him!

March 18, 2013

Stefano Arienti

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Stefano Arienti (born 1961) is an Italian artist whose art is inspired by the Arte Povera and Conceptual movements. He lives and works in Milan, Italy.

His work is made of found materials such as magazines, postcards, newspapers and books. Source materials are transformed through minimal actions such as folding or puncturing done repeatedly and systematically. He has exhibited extensively and in 2005, the Fondazione Sandretto Re Rebaudengo per l’Arte held a retrospective of his work. In 2008, Francesco Bonami curated the monumental exhibition “Italics: Italian Art between Tradition and Revolution, 1968-2008″ at the Palazzo Grassi that included Arienti’s Cassetto con strisce, 1987-1989. In 2009, the exhibition travelled to MCA Chicago.In 2007, Arienti was commissioned by Art Pace for their International Artist-In-Residence program. There he exhibited Library, a landscape of 400 bushels of wheat and 99 books that were buried within. In the Fall of 2010, Arienti showed his third solo exhibition, natura, natura, natura at greengrassi in London, UK.

March 18, 2013

Øystein Aasan

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Berlin-based Norwegian artist Øystein Aassan  uses a combination of materials including paper, plywood, ink, adhesive letters, photography, and pop cultural imagery to create sculptural installations and wall pieces that explore issues around memory and duplication. Influenced by the presentation of works in Peggy Guggenheim’s early-20th-century gallery, Art of This Century, Aasan arranges images and reproduced texts on architectural grids, or what the artist calls “display units”, drawing attention to the construction of the pieces.

Øystein Aasan

February 28, 2013

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This image is surfing around the net we think it came from Sweet as may ? We LOVE it !

February 28, 2013

Craig Redman and Karl Maier

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February 24, 2013

Sarah Amos

 

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December 31, 2012

Harvey Lynch

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Harvey Lynch 2012 Happy Holiday Everyone!

November 28, 2012

Harvey Lynch

More from H L ” Outdoors looking in ” series

November 15, 2012

Quentin Jones

Twenty-seven-year-old Quentin Jones is regarded as something of a Renaissance woman. She’s a model, a philosophy graduate and one of fashion’s brightest young film-makers, specialising in a cartoonish style of surreal photo-montaged animation.

“When I was at art school, anything ‘fashionable’ was frowned upon,” says Jones, who studied her craft at London’s Central Saint Martins. “I jumped straight into this from a BA at Cambridge, so spent a lot of time playing catch-up and making up my own way of doing things. Maybe this is why my style is so slap-dash.”

But there is a precision present in much of Jones’s work, in her films created for brands like Chanel and designer Holly Fulton, where montaged images are overlaid with graffiti-style collaging, everything building to an almost-kaleidoscopic vision of femininity, fashion and modern-day beauty. Read more

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