Archive for ‘Graphics’

May 24, 2013

Harvey Lynch Art

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As you study the image before you, it might initially seem like a beautiful textile design, but then familiar elements of typography and language float to the forefront of your awareness and you realize it’s something much more.

Each piece is a Buddist saying, a song lyric or an inspirational thought which has been written in reverse. Through this process, we deconstruct words and letters, and create pieces which embody the virtues of the phrases they represent. Thus, the viewer absorbs the meaning as opposed to just reading it.

All of the art, prints and photographs and other collectables in our curated collection are carefully produced: Every work comes signed and with a numbered certificate that ensures the one you own is part of an exclusive edition created with Harvey Lynch. Once they’re sold out, they’re gone for good-so if you see something you like, snap it up!!!

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May 7, 2013

John Baldessari

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Interview with John Baldessari
by Nicole Davis

Nicole Davis interviewed John Baldessari in his studio in Santa Monica, Ca., on Apr. 12, 2004.

John Baldessari: So, fire away.

Nicole Davis: What led you to become an artist?

JB: I always had this idea that doing art was just a masturbatory activity, and didn’t really help anybody. I was teaching kids in the California Youth Authority, an honor camp where they send kids instead of sending them to prison. One kid came to me one day and asked if I would open up the arts and crafts building at night so they could work. I said, “If all of you guys will cool it in the classes, then I’ll baby-sit you.” Worked like a charm. Here were these kids that had no values I could embrace, that cared about art more than I. So, I said, “Well, I guess art has some function in society,” and I haven’t gotten beyond that yet, but it was enough to convince me that art did some good somehow. I just needed a reason that wasn’t all about myself. Read more

John Baldessari is an American conceptual artist. After studying art at San Diego State College (1949–57), he began to develop his painting style, soon incorporating letters, words and photographs in his works. By 1966 he was using photographs and text, or simply text, on canvas as in Semi-close-up of Girl by Geranium … (1966–8; Basle, Kstmus.). From 1970 he worked in printmaking, film, video, installation, sculpture and photography. His work is characterized by a consciousness of language evident in his use of puns, semantics based on the structuralism of Claude Lévi-Strauss and by the incorporation of material drawn from popular culture. Both are apparent in Blasted Allegories (1978; New York, Sonnabend Gal.), a series combining polaroids of television images captioned and arranged to suggest an unusual syntax. Baldessari differed from other conceptual artists in his humour and commitment to the visual image. He dramatized the ordinary, although beneath the apparent simplicity of his words and images lie multiple connotations. We LOVE him!

March 18, 2013

Stefano Arienti

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Stefano Arienti (born 1961) is an Italian artist whose art is inspired by the Arte Povera and Conceptual movements. He lives and works in Milan, Italy.

His work is made of found materials such as magazines, postcards, newspapers and books. Source materials are transformed through minimal actions such as folding or puncturing done repeatedly and systematically. He has exhibited extensively and in 2005, the Fondazione Sandretto Re Rebaudengo per l’Arte held a retrospective of his work. In 2008, Francesco Bonami curated the monumental exhibition “Italics: Italian Art between Tradition and Revolution, 1968-2008″ at the Palazzo Grassi that included Arienti’s Cassetto con strisce, 1987-1989. In 2009, the exhibition travelled to MCA Chicago.In 2007, Arienti was commissioned by Art Pace for their International Artist-In-Residence program. There he exhibited Library, a landscape of 400 bushels of wheat and 99 books that were buried within. In the Fall of 2010, Arienti showed his third solo exhibition, natura, natura, natura at greengrassi in London, UK.

March 18, 2013

Øystein Aasan

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Berlin-based Norwegian artist Øystein Aassan  uses a combination of materials including paper, plywood, ink, adhesive letters, photography, and pop cultural imagery to create sculptural installations and wall pieces that explore issues around memory and duplication. Influenced by the presentation of works in Peggy Guggenheim’s early-20th-century gallery, Art of This Century, Aasan arranges images and reproduced texts on architectural grids, or what the artist calls “display units”, drawing attention to the construction of the pieces.

Øystein Aasan

February 28, 2013

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This image is surfing around the net we think it came from Sweet as may ? We LOVE it !

February 28, 2013

Craig Redman and Karl Maier

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February 8, 2013

Harvey Lynch

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Outdoors looking in  -  Harvey Lynch

January 27, 2013

Marc Newson

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gstar2011-2   slump_table_001 wood_chair_001Marc Newson is the most acclaimed and influential designer of his generation. He has worked across a wide range of disciplines, creating everything from furniture and household objects, to bicycles and cars, private and commercial aircraft, yachts, various architectural commissions, and signature sculptural pieces for clients across the globe.
Born in Sydney, Newson spent much of his childhood travelling in Europe and Asia. He started experimenting with furniture design as a student and, after graduation, was awarded a grant from the Australian Crafts Council with which he staged his first exhibition – featuring the Lockheed Lounge – a piece that has now, twenty years later, set three consecutive world records at auction.

Newson has lived and worked in Tokyo, Paris, and London where he is now based, and he continues to travel widely. His clients include a broad range of the best known and most prestigious brands in the world – from manufacturing and technology to transportation, fashion and the luxury goods sector. Many of his designs have been a runaway success for his clients and have achieved the status of modern design icons. In addition to his core business, he has also founded and run a number of successful companies, including a fine watch brand and an aerospace design consultancy, and has also held senior management positions at client companies; including currently being the Creative Director of Qantas Airways.

Marc Newson was included in Time magazine’s 100 Most Influential People in the World and has received numerous awards and distinctions: he was appointed The Royal Designer for Industry in the UK, received an honorary doctorate from Sydney University, holds Adjunct Professorships at Sydney College of the Arts and Hong Kong Polytechnic University, and most recently was awarded a CBE (Commander of the Order of the British Empire) by Her Majesty the Queen.

His work is present in many major museum collections, including the MoMA in New York, London’s Design Museum and V&A, the Centre Georges Pompidou and the Vitra Design Museum. Having set numerous records at auction, Newson’s work now accounts for almost 25% of the total contemporary design market.

Newson has been the focus of on-going and intense interest in the media, generating significant editorial value for his clients, and has been the subject of a number of books and documentary films.

December 31, 2012

Jim Isermann

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Jim Isermann is a practicing artist, based in Palm Springs, California. Since receiving his MFA from the California Institute of Arts in 1980 Isermann’s artistic output has chronicled the conflation of post-war industrial design and fine art through popular culture. Functional installations that reclaimed a utopian view of the future while revealing the pathos of that failed promise have maintained an unflagging belief in the beauty of utilitarian design. Through out the 1990′s Isermann explored traditional handicraft technique to produce works (i.e.: stained glass, weaving, etc) that are unashamedly beautiful, a beauty that is integral to the limitations and specific characteristics of fabrication. In 1998, following a 15-year survey exhibition organized by David Pagel for UW Milwaukee’s institute of visual art, Isermann began to use a computer to design manufactured elements. Realized installations and commissions have employed mass-produced thermal die-cut vinyl decals, plotter-cut mylar decals, ContraVision© ink jet printed vinyl and projects incorporating multiple vacuum-formed ABS plastic panels. In 2003, a 35-foot 5-pendent chandelier, custom carpeting and furniture selection were permanently installed in the atrium of Genentech Hall at the UCSF Mission Bay Campus.

Currently Isermann divides his practice between producing labor-intensive studio work for gallery and museum exhibitions and designing and overseeing commissioned projects that involve industrial manufacturing processes. Most recently Isermann has mounted solo exhibitions at Deitch Projects, New York in 2007, Corvi-Mora, London in 2008 and Richard Telles Fine Art, Los Angeles in 2009. Commissioned projects were completed in 2006 for the UCLA Hammer Museum, the Los Angeles County Metropolitan Transportation Authority and the Memorial Sloan Kettering Cancer Center, in 2007 for Yale University Art Museum, in 2008 for Princeton University and in 2009 for Stanford University and UCR.

December 31, 2012

Harvey Lynch

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Harvey Lynch 2012 Happy Holiday Everyone!

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