Archive for ‘Art & Design’

May 24, 2013

Harvey Lynch Art

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As you study the image before you, it might initially seem like a beautiful textile design, but then familiar elements of typography and language float to the forefront of your awareness and you realize it’s something much more.

Each piece is a Buddist saying, a song lyric or an inspirational thought which has been written in reverse. Through this process, we deconstruct words and letters, and create pieces which embody the virtues of the phrases they represent. Thus, the viewer absorbs the meaning as opposed to just reading it.

All of the art, prints and photographs and other collectables in our curated collection are carefully produced: Every work comes signed and with a numbered certificate that ensures the one you own is part of an exclusive edition created with Harvey Lynch. Once they’re sold out, they’re gone for good-so if you see something you like, snap it up!!!

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May 7, 2013

Tacita Dean

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Majesty 2006 by Tacita Dean born 1965

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Tacita Dean, Fatigues, 2012

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Tacita Charlotte Dean OBE (born Canterbury, Kent, 1965) is an English visual artist who works primarily in film. She is one of the Young British Artists, and was a nominee for the Turner Prize in 1998. She lives and works in Berlin.

In 1995, she was included in General Release: Young British Artists held at the XLVI Venice Biennale. She is one of the “key names”, along with Jake and Dinos Chapman, Gary Hume, Sam Taylor-Wood, Fiona Banner and Douglas Gordon, of the Young British Artists (YBAs). Her work actually had little in common with the prominent YBAs, Damien Hirst and Tracey Emin.

In 1997, Dean moved to London. That same year she began to exhibit splices of magnetic tape cut the length required to document the duration of the sound indicated, such as a raven’s cry. In 2001 she was given a solo show at Tate Britain

Dean is best known for her work in 16mm film, although she utilises a variety of media including drawing, photography and sound. Her films often employ long takes and steady camera angles to create a contemplative atmosphere. Her anamorphic films are shot by cinematographers John Adderley and Jamie Cairney. Her sound recordist is Steve Felton. She has also published several pieces of her own writing, which she refers to as ‘asides,’ which complement her visual work. Since the mid-1990s her films have not included commentary, but are instead accompanied by often understated optical sound tracks.

May 7, 2013

Marjetica Potrc

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She builds better worlds.

Marjetica Potrc has made some important art: she’s built dry toilets for Latin American slums and promoted a water jug for Africa that can also absorb the force of land mines. She’s taken the idea that art can change the world and made it come true. Sure, her art-world actions don’t do that much actual good. Instead, they do what art does best: they talk about how the world might be better.

“I believe in art. People need art to negotiate their world,” Potrc says. And the depth of that belief may be this artist’s true contribution.

Potrc (pronounced “PO-turtch,” with Marjetica sounding close to “Mari-EH-tee-tza”) was born in 1953 in Ljubljana, Slovenia, where she still lives. She got her start in architecture, but began making building-themed art about 15 years ago.

A typical Potrc begins with a structure or situation she finds in a distant place—say, Venezuela or Rajasthan, India—then tweaks to make more livable. “We should respect people in favelas, and learn from them, and their living conditions.” Other work comes closer to sculpture, as she mashes up constructions: in a big installation at MIT called Hybrid House, Potrc set down a wild building that hybridized features of buildings from Caracas, the West Bank, and West Palm Beach. By colliding three such different visions, Potrc achieves a surrealist edge that also embraces the real.

Source: THEDAILYBEAST

May 7, 2013

John Baldessari

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Interview with John Baldessari
by Nicole Davis

Nicole Davis interviewed John Baldessari in his studio in Santa Monica, Ca., on Apr. 12, 2004.

John Baldessari: So, fire away.

Nicole Davis: What led you to become an artist?

JB: I always had this idea that doing art was just a masturbatory activity, and didn’t really help anybody. I was teaching kids in the California Youth Authority, an honor camp where they send kids instead of sending them to prison. One kid came to me one day and asked if I would open up the arts and crafts building at night so they could work. I said, “If all of you guys will cool it in the classes, then I’ll baby-sit you.” Worked like a charm. Here were these kids that had no values I could embrace, that cared about art more than I. So, I said, “Well, I guess art has some function in society,” and I haven’t gotten beyond that yet, but it was enough to convince me that art did some good somehow. I just needed a reason that wasn’t all about myself. Read more

John Baldessari is an American conceptual artist. After studying art at San Diego State College (1949–57), he began to develop his painting style, soon incorporating letters, words and photographs in his works. By 1966 he was using photographs and text, or simply text, on canvas as in Semi-close-up of Girl by Geranium … (1966–8; Basle, Kstmus.). From 1970 he worked in printmaking, film, video, installation, sculpture and photography. His work is characterized by a consciousness of language evident in his use of puns, semantics based on the structuralism of Claude Lévi-Strauss and by the incorporation of material drawn from popular culture. Both are apparent in Blasted Allegories (1978; New York, Sonnabend Gal.), a series combining polaroids of television images captioned and arranged to suggest an unusual syntax. Baldessari differed from other conceptual artists in his humour and commitment to the visual image. He dramatized the ordinary, although beneath the apparent simplicity of his words and images lie multiple connotations. We LOVE him!

May 5, 2013

April’s Savior: The Umbrella

As May flowers appear closer on the horizon, we cope with April skies by celebrating the wetter month’s undisputed rain-warrior: the umbrella. The iconic accessory is the star of this film by Tell No One, AKA Luke White and Remi Weekes, winners of the Young Directors Award (Video Art Europe) at Cannes 2012, with creative direction by Leila Latchin. The brolly also forms the focus of design expert and sophisticate Stephen Bayley’s century spanning essay.

The Umbrella by Stephen Bayley

April 10, 2013

Christo Javacheff and Jeanne-Claude Denat

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The two postmodernist artists Christo Javacheff and Jeanne-Claude Denat formed one of the closest and most creative collaborations in 20th Century contemporary art. Based in New York, the couple specialized in a unique form of avant-garde art known as ‘empaquetage’ – meaning packaging or wrapping of objects. Beginning in 1958 with small items, they extended the idea to the wrapping of buildings, coastlines, even offshore islands. In the process, they created a sort of hybrid artform – a combination of conceptual art, outdoor installation, and large scale land art. Their works include the wrapping of the Berlin Reichstag building, the Pont-Neuf bridge in Paris, a stretch of Australian coastline and eleven islands in Biscayne Bay, Florida. One of the least known contemporary art movements, empaquetage is essentially a transitory artform done for reasons of aesthetics, rather than environmental concerns. The partnership was ended in November 2009 by Jeanne-Claude’s death following a brain aneurysm. By any yardstick, Christo and Jeanne-Claude must be considered two of the most original artists of of the 20th century. Their public art has touched the lives of people in four continents.  These huge undertakings, such as surrounding eleven islands in Biscayne Bay in Miami, Florida, erecting a 24-mile-long/18-foot-high fence in two Northern California counties or hanging a giant curtain between two mountains in Rifle Gap, Colorado, become stories of hope and triumph in the face of adversity. The act of filming becomes the project itself, as the filmmakers are present every step of the way from planning, approval, execution and display of these temporary artworks.

These artists to me, are absolutely incredible – heart stopping – take some time to watch the documentary ” 5 Films About Christo & Jeanne-Claude” This fascinating anthology shows the passion, vision and complexity of the environmental art of Christo and Jeanne-Claude, whose projects include a 24-mile, 18-foot-high fence in California and a giant curtain hung between two mountains in Colorado. The films — spanning 30 years — document not only the process but also the transformational effect the completed works have on those who come in contact with them.  Also ” The Gates “

http://youtu.be/_bADfh_JLLo

Check out Plexifilm

April 9, 2013

Gillian Wearing

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  'I'm desperate' 1992-3 by Gillian Wearing OBE born 1963

Gillian Wearing OBE RA (born 1963) is an English conceptual artist, one of the YBAs, and winner of the annual British fine arts award, The Turner Prize, in 1997. On 11 December 2007, Wearing was elected as lifetime member of the Royal Academy of Arts in London.

In the early 90s. Wearing started putting together photography exhibitions that were based around the idea of photographing anonymous strangers in the street who she had asked to hold up a piece of paper with a message on it. Of these “confessional” pieces, Wearing stated,”

“I decided that I wanted people to feel protected when they talked about certain things in their life that they wouldn’t want the public that knows them to know. I can understand that sort of holding on to things—it’s kind of part of British society to hold things in. I always think of Britain as being a place where you’re meant to keep your secrets—you should never tell your neighbors or tell anyone. Things are changing now, because the culture’s changed and the Internet has brought people out. We have Facebook and Twitter where people tell you small details of their life.”

Link to gallery

March 28, 2013

Bok Hee Lee

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BOK HEE LEE
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Via: fashionhistorian.net/blog

March 18, 2013

Mary Corse

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The illusion derives from tiny glass beads that Mary Corse, now 66, mixes into her paint before brushing it on the canvas. The same microspheres, as she calls them, are what make the white lines on a two-lane blacktop reflective in the dark. “But my paintings are not reflective!” Corse was quick to say during a recent visit to New York from her home in the Malibu hills of Los Angeles. “They create a prism that brings the surface into view. I like that because it brings the viewer into the light as well.  The idea, she said, is to get inside the paintings — “to create a space that actually isn’t there.”

Throughout her career, the nature of perception has been Corse’s subject, but it only underscores her basic premise. “There’s nothing static in reality,” she said. “So I didn’t want my paintings to be static either. But we live in an abstract universe and it’s pure abstraction I’m after.”

Read more

March 18, 2013

Stefano Arienti

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Stefano Arienti (born 1961) is an Italian artist whose art is inspired by the Arte Povera and Conceptual movements. He lives and works in Milan, Italy.

His work is made of found materials such as magazines, postcards, newspapers and books. Source materials are transformed through minimal actions such as folding or puncturing done repeatedly and systematically. He has exhibited extensively and in 2005, the Fondazione Sandretto Re Rebaudengo per l’Arte held a retrospective of his work. In 2008, Francesco Bonami curated the monumental exhibition “Italics: Italian Art between Tradition and Revolution, 1968-2008″ at the Palazzo Grassi that included Arienti’s Cassetto con strisce, 1987-1989. In 2009, the exhibition travelled to MCA Chicago.In 2007, Arienti was commissioned by Art Pace for their International Artist-In-Residence program. There he exhibited Library, a landscape of 400 bushels of wheat and 99 books that were buried within. In the Fall of 2010, Arienti showed his third solo exhibition, natura, natura, natura at greengrassi in London, UK.

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